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Flip the Scene

We’ve all got one in our distant past: the great love that got away because we were too tongue-tied, or clumsy or didn’t even cross the room to engage in conversation. Get it out of your system once and for all by writing the might have been. How should you have acted? What should you have said?

But once you’ve sketched that out, I want you to flip the scene on its head and write it from the great love’s point of view making yourself just a character, not a person we get inside at all.

And once you’ve done that – and the romantic or antiromantic conclusion is neither here nor there by this stage – have a go at playing around with the genders. If you’re both women trying making the two of you men. Or one of you trans. Or not even human.

See the fun you’re having now?

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6 Tips on Writing Queer Fiction

If you’re describing a same sex relationship or one involving someone who is trans or intersex or in…

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Write The Blurb For Your Novel

Write the blurb for your novel – the summary that appears on the back jacket of a book…

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Emotionally Engage

If you think about plays you’ve enjoyed, that stay with you, and try and work out why they…

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Gas Ring – the game

A quick exercise to show the importance of writing high stakes for your characters when writing a play….

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How to Play

Take a blank sheet of paper. At the top of it, fill in the blanks of this statement:…

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Beat it Out

So you have an idea for a play. You may have some characters. An event, or a theme….

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Subtext: running into an ex

A and B used to go out. Write down how long for. They haven’t seen each or spoken…

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Writing by not writing: subtext in dialogue

The awkward silences. The times we talk too much while avoiding eye contact. Saying the opposite of what…

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