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Flip the Scene

We’ve all got one in our distant past: the great love that got away because we were too tongue-tied, or clumsy or didn’t even cross the room to engage in conversation. Get it out of your system once and for all by writing the might have been. How should you have acted? What should you have said?

But once you’ve sketched that out, I want you to flip the scene on its head and write it from the great love’s point of view making yourself just a character, not a person we get inside at all.

And once you’ve done that – and the romantic or antiromantic conclusion is neither here nor there by this stage – have a go at playing around with the genders. If you’re both women trying making the two of you men. Or one of you trans. Or not even human.

See the fun you’re having now?

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6 Tips on Writing Queer Fiction

If you’re describing a same sex relationship or one involving someone who is trans or intersex or in…

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Inside the Shed

Sometimes we are really keen to tell our readers everything, to make sure that they understand what it…

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You don’t have to tell young readers as much as you think

There is sometimes an assumption that younger readers won’t understand what’s going on unless the plot and the…

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Emotionally Engage

If you think about plays you’ve enjoyed, that stay with you, and try and work out why they…

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Gas Ring – the game

A quick exercise to show the importance of writing high stakes for your characters when writing a play….

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Shall we dance, fight or both?

STEP 1:     Cut small squares of paper or card. Divide these into three stacks of up to…

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Walking around a scene

Whenever you write a scene it’s a good idea to rewrite it – perhaps in note form –…

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What if?

Start with a scenario – this might be a random picture, a very short scene from a novel,…

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