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Live your subject

Non-fiction writers live their books before they write them. From biography to travel to books about music, art or sheep, for the non-fiction writer the success of the book depends on the research period, which is undertaken as life, rather than work.

So, you cannot possibly write a good book about Bob Dylan unless you have lived, imaginatively or actually, stories analogous to those his songs tell. You would have to be so soaked in his music that it had either accompanied and/or partially directed significant periods of your life. You would know his life story better than you know your own.

For the writer of non-fiction, therefore, writing is actually walking, or interviewing, or listening, or obsessively pursuing a band, or climbing glaciers. The other bit, the making of the book, is just typing really.

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Freedom in Fabrication

The Japanese writer Tanizaki complained that he could not read his contemporaries. Every time he picked up a…

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Radical Reinvention

One way to think about writing is as a tool of curiosity. A way of finding out about…

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Let the place do the talking

It is tremendously difficult to write about a place you know as if you are a travel writer….

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Tips for Travel Writing

First, you need to find a subject that lights you up. If beach resorts are not your thing,…

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Exploring different third person points of view

Write part of a story in the form of a scene from a play, beginning with a description…

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Subjective third person narrative

When I was a child, like most young readers I wanted to identify with the characters in books….

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Magic in the Mundane

A comic is a string of sequential panels that are both literary and visual in their storytelling. Striking the balance between what is said with words and shown with pictures is essential to creating an immersive reading experience. Write a short script for a one-page comic. A practical starting point is to think about a small event that happened to you, for example…

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Strongest Foot Forward

Making a comic involves a host of skills. Remember that when we make comics, we are combining words and images to be read simultaneously. So broadly speaking we need to do at least two things; to write and to draw.

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Reconsider the mundane

Think of a hobby or passion you have, outside of writing and literature. So perhaps baking, or dancing,…

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Developing and explaining new ideas

1. You don’t have to be entirely original. There are plenty of very good, best-selling stories out there…

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Inside the Shed

Sometimes we are really keen to tell our readers everything, to make sure that they understand what it…

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