Exploring different third person points of view
Write part of a story in the form of a scene from a play, beginning with a description of the setting and then using dialogue and stage directions to show what happens and how the characters feel about it. Make sure you have at least three characters and bring them on to the stage from different directions. They need not all stay for the whole scene.
Choose one of the characters and re-write the scene as part of a book, writing in the third person, from the point of view of one of the characters. Try to identify with that character as strongly as possible. Obviously, he or she will be looking at the scene from a particular position and will notice some things more than others. Try to capture that ‘camera angle’, as well as communicating the character’s feelings. What happens in the scene should stay the same, but feel free to cut any dialogue that seems superfluous.
Now rewrite the play scene again, still in the third person, but this time from the viewpoint of a different character, in a different position. Once again, identify as strongly as you can and try to capture that character’s feelings and viewpoint while keeping the action moving. Cut superfluous dialogue and notice whether it’s the same dialogue as you cut in the first rewrite or whether different things now seem unnecessary.
Were the two rewrites very different from each other?
Did they help you to understand more about the characters?
If you were to rewrite the scene from the play, would you make any changes now?Find out more
Magic in the Mundane
A comic is a string of sequential panels that are both literary and visual in their storytelling. Striking the balance between what is said with words and shown with pictures is essential to creating an immersive reading experience. Write a short script for a one-page comic. A practical starting point is to think about a small event that happened to you, for example…Find out more
Reconsider the mundane
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Don’t let them talk you out of it
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Controlling your fear
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Inside the Shed
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You don’t have to tell young readers as much as you think
There is sometimes an assumption that younger readers won’t understand what’s going on unless the plot and the…Find out more
Drawing your childhood memories
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‘Heart’ words vs ‘Head’ words
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Head language and heart language
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What’s the worst that could happen?
Fiction is almost always about unexpected consequences. A character wants something, they take actions towards getting that thing,…Find out more
The 5 big mistakes people make when writing short stories
1. They waffle on like they’ve got all the pages in the world The stories that make the…Find out more